Why Memorizing Music Is So Important

By Andrew Ingkavet

With all of my students, I stress the importance of memorizing their pieces, especially for performance at a recital. Here’s some of the reasons why.

Repetition is the Mother of Skill

How many times did Tiger Woods hit a golf ball before ever entering a competition? Apparently he was already golfing at age 2 when he made an appearance on the Merv Griffin show with his Dad. He turned professional at age 21 after winning many competitions along the way. That’s 19 years and probably 30,000 to 40,000 hours of practice! In Malcolm Gladwell’s book Outliers,  he discusses the theory that it takes an applied 10,000 hours of practice to mastery in any field. No wonder Tiger Woods is the greatest golfer that ever lived!  He’s simply played 3 or 4 times much as anyone else before he even turned pro!

Tiger Woods golfer
Now, I’m not demanding 8 hour practice days for my students, but five minutes the day before the lesson is just not going to cut it. It’s unfair to the student who is going to sound awful and not enjoy the wonderful process and sense of accomplishment of learning a song to a masterful level.

Technique

As we use our muscles to achieve the production of sound, we need to train them to move in specific ways. Fluidity can only be achieved by repetition. By consciously practicing the repeated motions at the same time being mindful of proper alignment of back, wrists, hands, we can create smooth, fluid motions that create beautiful sounds without repetitive stress injuries.

Play Piano For Kids, Volume 1 iPad interactive book app is now available

An interactive iPad book for young children with their parents, caregivers
Available now at the Apple App store

As many of you know, I’ve been working hard on an interactive iPad iBook for quite some time.  Today Play Piano For Kids, Volume 1 (Penguins Don’t Play Piano, But You Can!) is officially live in 32 countries around the world in the Apple iTunes Bookstore.  It’s on sale for the next week for only 99 cents after which it will go up to $6.99.  Pleases go and take a look and give a review/rating.

Aimed at parents , home-schoolers and teachers of young children aged 3 to 6 years old, the book is really an app which delivers a learning system including audio, video, animations and my unique color system.  It spans the first month and a half of lessons that in my private lessons would cost over $200!   There is no experience required and no need to read traditional music notation.  In fact, the problem with most music books and teachers try to present too much information at once.  By breaking down the learning process into micro steps, I’ve helped hundreds of kids learn to play piano, (and guitar) whilst having proper technique, and learning music theory, traditional notation and even composition.

For those of you who have been unable to get on my roster, this is a great way to virtually start lessons with me.  There’s even a free sample that gives you the first lesson for free.  And this is just the beginning, I’m already working hard on the next volume as well as a support website PlayPianoForKids.com

Feel free to comment!

Winter Recital 2012 Success!

It was a great recital last Saturday at the Carroll Gardens Library in Brooklyn.  With 30 students performing and a house of over 100 guests, we had a lovely time and everyone did their best.  Thanks again to all the parents, grandparents, friends and family who came to show their support, love and appreciation of our young performers!  And special thanks to Jeff Schwartz and the entire staff of the Carroll Gardens library who graciously let us use their space and even set up the chairs for us!

 

Here’s some photo highlights.  Videos are posted here.

Students warm up before the music recital
Students warm up before the music recital
Music Students of Park Slope Music Lessons
Lining up to receive award certificates
Giving out awards
Everyone comes onstage
Students at Winter Recital 2012
Winter Recital 2012
Strumstick student Felix
4 year old Felix on Strumstick
Evan & Sienna perform What A Wonderful World
Evan & Sienna perform What A Wonderful World
Ryan performs Katy Perry's Firework
Ryan performs Katy Perry's Firework
Ava performs Lightly Row
Ava gets prepared to play Lightly Row
Stella & Tellulah perform Adele's Someone Like You
Stella & Tellulah perform Adele's Someone Like You

 

 

Glenn Gould’s Finger Tapping Exercise for Piano Technique

Many of you are struggling with playing cleanly and smoothly. This simple technique can help you to relax your fingers to pay more fluidly. Developed by Glenn Gould’s mentor and longtime teacher Chilean pianist Alberto Guerrero, it aims to retain a relaxed muscle memory. You can learn more about this in the wonderful documentary Genius Within: The Inner Life of Glenn Gould.

How To Teach Rhythm to Beginning Music Students

Teaching rhythm using stick notation & hand signs

I’ve been teaching how to count rhythm to most of my students using Michiko Yurko’s genius method of naming note values with easy and fun to say words.  I highly recommend her book Music Mind Games for all music teachers and home-schoolers and interested parents..

  • For example, a one beat (quarter note) is called BLUE.
  • Two eighth notes are called  JELLO.
  • An eighth note triplet, where the three notes are played in one beat is PINEAPPLE.
  • And four sixteenth notes is HUCKLEBERRY.
This is so much more fun and easier to remember than when I was in school learning, “one -eee- and – ah.”

Practice counting the beats of any song you already know and other new ones as well.  It becomes a much easier task to learn a new piece if you have internalized the rhythm already and can then focus on the pitches and fingering.
This past week, I did just that by having several of my students learn “Go Tell Aunt Rhody” by first counting out the song in this Blue Jello way.  Then, by teaching the distinct hand signals for each, which adds another level of kinesthetic learning, I played the melody while the student counted out the piece.  After 3 or 4 times, the melody and rhythm are so ingrained, that playing it on the instrument becomes just a minor technical matter. 

The History of Rock and Roll – 12 Bar Blues

We’ve been doing some great explorations of the roots of rock and roll which began with the basic form of the 12 bar blues.  These 12 measures are like a pattern, a recipe that hundreds if not thousands or hundreds of thousands of songs have been based.  Once you know the “recipe” you can cook up your own or play all of the variations.  Here’s a few of them.

You can view these video clips and read along in the music notation I gave you.

1950’s Early Rock and Roll Clips

Elvis Presley – Blue Suede Shoes

Chuck Berry – Johnny B. Goode

Jerry Lee Lewis – Great Balls Of Fire

Little Richard – Tutti Frutti

Little Richard – Lucille

Little Richard – Long Tall Sally

Teaching and learning music in slices

I’ve been talking with many of my students about the importance of not trying to learning in giant gobbles but rather in small bite size pieces or slices of pie.  Learning a new piece is like eating pie; you don’t eat it all in one bite.  You take slices, and then forkfuls and then chew on each bite a while before moving on to the next.

Dr. Shinichi Suzuki  called  it “steps.”  To match the right step to the child, you need to adjust according to the individual.

So how do we do this?  By breaking up the piece into digestible chunks.  Often I will use my handy colored translucent tape to mark off a measure or a phrase that we want to concentrate on first.  So going from the “red phrase” to the “blue phrase” or whatever.  This has been tremendously successful.

If your child has come home with some of my music with a multicolored tape collage on it, have no fear, we’re just learning a new piece – in slices!

Each color block is a teachable chunk or slice of music