I’ve been teaching how to count rhythm to most of my students using Michiko Yurko’s genius method of naming note values with easy and fun to say words. I highly recommend her book Music Mind Games for all music teachers and home-schoolers and interested parents..
For example, a one beat (quarter note) is called BLUE.
Two eighth notes are called JELLO.
An eighth note triplet, where the three notes are played in one beat is PINEAPPLE.
And four sixteenth notes is HUCKLEBERRY.
This is so much more fun and easier to remember than when I was in school learning, “one -eee- and – ah.”
Practice counting the beats of any song you already know and other new ones as well. It becomes a much easier task to learn a new piece if you have internalized the rhythm already and can then focus on the pitches and fingering.
This past week, I did just that by having several of my students learn “Go Tell Aunt Rhody” by first counting out the song in this Blue Jello way. Then, by teaching the distinct hand signals for each, which adds another level of kinesthetic learning, I played the melody while the student counted out the piece. After 3 or 4 times, the melody and rhythm are so ingrained, that playing it on the instrument becomes just a minor technical matter. It’s already in the body, brain and ear! The results? Everyone learned much, much faster and without the stumbling and frustration.
A book I recently read describes the importance of communication using multiples levels of engagement. Made To Stick, by brothers Chip & Dan Heath, is a NY Times Bestseller and popular among business and marketing types, but is equally usable by teachers and parents. Anyone, looking to make their ideas “stick” can benefit. So one of the main principles of the book is the concept of CONCRETIZATION. By making abstract concepts concrete, giving a physical nature to the abstract, it makes it easier to grasp. So by adding hand signs to the funny words for each note, we add another layer of concretization. By saying it aloud, making the hand gesture and using the Blue Jello words, we are creating a unique kinesthetic experience of what was just quarter notes, eighth notes, half notes and whole notes.
And besides, how much more fun is it to say HUCKLEBERRY, GOOSEBERRY, JELLO BLUE?
We’ve been doing some great explorations of the roots of rock and roll which began with the basic form of the 12 bar blues. These 12 measures are like a pattern, a recipe that hundreds if not thousands or hundreds of thousands of songs have been based. Once you know the “recipe” you can cook up your own or play all of the variations. Here’s a few of them.
You can view these video clips and read along in the music notation I gave you.