Teaching Strategies For Growth Mindset

What is the most important factor in a student? Many people would say it’s talent, or effort, or persistence, or luck or some combination of these.

Behind all of this is something that is more important – the proper mindset. Recent research (Blackwell, Trzesniewski, & Dweck, 2007) has shown that there are two different mindsets among students:
1) intelligence as a fixed, static trait or you got what you got
2) intelligence is a changeable, flowing trait, in other words:  you can learn whatever you put focus and effort to

Most of my music students do have a growth mindset, but may need some extra encouragement.   To do this I need to use a specific way of communicating.

The Dangers of Praise and How To Do It Right

Researchers have discovered that if you just praise the intelligence of the child, there are negative consequences.  So just being positive and saying “Good job!” is actually detrimental and has a backlash because given a new challenge, the child would rather not participate (quit) in order to “save face” and live up to the expected standard.  Rather if the child was praised for their effort, the next harder challenge was met with more effort.

Communicating Learning Goals

Almost daily I have a student who complains
“That’s too hard! I want to just stay on the same song!”

Here’s some things I say and you can too in your classroom, studio or with your own children.  Though I’ve made these specific to music, you can apply a variation of these to any subject.

  • Learning music is like playing a video game. Once you achieved the last challenge, we’re on to the next level.
  • You’re not supposed to know this already, this is brand new.

High Expectations For Forward Motion

  • I KNOW that you can do this, that’s why I’m showing you this.
  • This will be challenging, but I’ve seen you do amazing work before.
  • Remember how hard _____ piece was? And now you can play it so well. This is like that one only better.

Struggling Even With Effort

  • You are not there…YET (emphasis on the yet)
  • If you’re feeling overwhelmed, just remind yourself that you can’t do it…YET.
  • Let’s take a break and come back to this tomorrow.
  • I admire your persistence.
  • I appreciate your effort and focus on this.
  • I love how you never gave up on that last piece. Let’s do it here too.

Struggling But May Need Help With Strategy

  • Let’s work on just the one spot giving you trouble
  • What part is giving you trouble? Let’s just look at that.
  • How about we make a plan to learn this piece? You can do section A today and then section B tomorrow and then back to A…

By setting the proper belief system in place at an early age, we can guide our children to future success in music, and in life.

For more information, read this excellent article from Prinicipal Leadership, a magazine aimed at school principals.

For a free download on Growth Mindset Framing. You’ll have to register but it’s free and you can download a pdf.

How To Teach Rhythm to Beginning Music Students

Teaching rhythm using stick notation & hand signs

I’ve been teaching how to count rhythm to most of my students using Michiko Yurko’s genius method of naming note values with easy and fun to say words.  I highly recommend her book Music Mind Games for all music teachers and home-schoolers and interested parents..

  • For example, a one beat (quarter note) is called BLUE.
  • Two eighth notes are called  JELLO.
  • An eighth note triplet, where the three notes are played in one beat is PINEAPPLE.
  • And four sixteenth notes is HUCKLEBERRY.
This is so much more fun and easier to remember than when I was in school learning, “one -eee- and – ah.”

Practice counting the beats of any song you already know and other new ones as well.  It becomes a much easier task to learn a new piece if you have internalized the rhythm already and can then focus on the pitches and fingering.
This past week, I did just that by having several of my students learn “Go Tell Aunt Rhody” by first counting out the song in this Blue Jello way.  Then, by teaching the distinct hand signals for each, which adds another level of kinesthetic learning, I played the melody while the student counted out the piece.  After 3 or 4 times, the melody and rhythm are so ingrained, that playing it on the instrument becomes just a minor technical matter.  It’s already in the body, brain and ear!  The results?  Everyone learned much, much faster and without the stumbling and frustration.
A book I recently read describes the importance of communication using multiples levels of engagement.  Made To Stick, by brothers Chip & Dan Heath, is a NY Times Bestseller and popular among business and marketing types, but is equally usable by teachers and parents.  Anyone, looking to make their ideas “stick” can benefit.  So one of the main principles of the book is  the concept of CONCRETIZATION.  By making abstract concepts concrete, giving a physical nature to the abstract, it makes it easier to grasp.  So by adding hand signs to the funny words for each note, we add another layer of concretization.  By saying it aloud, making the hand gesture and using the Blue Jello words, we are creating a unique kinesthetic experience of what was just quarter notes, eighth notes, half notes and whole notes.
And besides, how much more fun is it to say HUCKLEBERRY, GOOSEBERRY, JELLO BLUE?

Here’s another article with a video that made about this.