Summer is usually the best opportunity for new students to join my private music studio. Once you are on my roster, if the fit is good for teacher, student and parents, I will make every effort to accommodate you on the school year schedule. I am incredibly grateful to have so many students who stay with me for years. This summer, I will be offering private and limited group lessons beginning July 7. Music lessons:
Monday through Thursday 10am to 5:30pm.
July 7 through 31, 2014
Lesson are $57 per half hour with an additional materials fee of $20 for the summer.
You can sign up for once per week or even 4 times per week for a super accelerated learning experience. The summer is a time for renewal, recharging and having some fun along with learning. With that in mind, I’ve designed a few summer fun-tastic ways to learn basics of music, ukulele, guitar, piano or songwriting. These music lessons are usually private, but I can accommodate small groups. See below.
For ages 4 to 5, I highly recommend starting with piano and basic music theory in a weekly 30 minute private lesson.
For ages 6-7, especially if you have had some prior experience with music instruction, we can work on guitar, ukulele, recorder, piano, songwriting etc.
For ages 8 and up, we can usually move much quicker and move into pop songs, Broadway, blues and basic jazz.
Group discounts are available – if you know of other children the same age and experience level, I can accommodate up to 4 children for group lessons.
If you are interested, you can register here. I will discuss specific scheduling with you.
We had our 10th recital hosted by the Brooklyn Public Library and it was a resounding success! Such a wonderful diversity of music, talent and focus. All my students pulled it together and presented their best.
I’ve posted all the videos on our YouTube Channel.
All parents want the best for their child and after-school is an opportunity for extra enrichment beyond the classroom.
Yesterday, The Atlantic published an article, After-School Activities Make Educational Inequality Even Worse. The author, Hilary Levey Friedman, interviewed and followed 95 middle-class families over 16 months who were involved in soccer, dance and competitive chess. She identifies 5 skills she believes separates middle/upper class children from less fortunate children and which she calls Competitive Kid Capital. There’s some overlap here with Angela Lee Duckworth’s concept of Grit which I discussed previously. Though Friedman didn’t profile music students, these all overlay very well with music instruction and recitals.
1 – The Importance of Winning – In music there is not necessarily winning and losing, but if you didn’t get the right notes, or you didn’t perform as well as you did at home, then, there’s a sense of a loss. All of my students are pretty hard graders on themselves when asked, “How did you do on that piece?”
2 – Learning from Loss – this is resiliency and happens everyday you practice at your instrument. You’re going to make mistakes, but what matters is what you do next.
3 – Time Management – Music is a time based language- you need to keep the beat – events happen over time. Having good rhythm and timing to correctly and effective communicate a beautiful piece of music is one aspect but so is the management of practice time over weeks and months for a big recital. Will you be prepared? This is life!
4- Adaptability – you need to go with the flow – some days you’ll feel different and you’ll play the music different because of that. But also making small corrections everyday on technical issues is a way of adapting.
5 – Grace Under Pressure – performing in front of a roomful of strangers can be a very intimidating experience. The more you do it, the easier it gets. I’ve seen some of my students blossom over the years and these skills will be useful in the classroom, the job, the board room, anywhere. I wrote this article Why Music Recitals Are Like Life Skills 101 a few years ago.
A new study reports that older adults who took lessons at a young age can process the sounds of speech faster than those who did not.
“It didn’t matter what instrument you played, it just mattered that you played,” said Nina Kraus, a neuroscientist at Northwestern University and an author of the study, which appears in The Journal of Neuroscience.
What’s incredible is that this is 30-40 years later! And these people may never have continued on an instrument after their childhood music lessons.
We’ll be hearing the great work your children have been doing on Saturday June 11 at 3pm at the Carroll Gardens Public Library. I’ll be there from 2:30pm to set up the room. If you can, please come early to help and to let your kids get acclimated and to calm down any last minute nerves.
It’s free and open to the public, so invite your friends and family. It’s also a good time to see the great resources of your local public library system – please support them!
What a great success our Winter Music Recital was last Saturday! I hope you all celebrated the great achievements of your children. No matter if they played some notes that were not intended, the entire process of going on stage, in public, in a crowded room of at least 80 people, and performing the piece they practiced for months – priceless!
I noticed many parents who were much more nervous than their children! And, by starting your kids early in this process of focus, practice and performing publicly, you’ve started them on the road to success in life no matter what professional path they choose. And the benefits of developing an appreciation for beauty, form, structure and communication through music is why I do what I do. I love teaching your kids and thank you for supporting us on our journey!
We’ll be having our recital at the Carroll Gardens branch of the Brooklyn Public Library on Saturday, January 22, 2011 at 2pm. The space looks nice and they even have a grand piano – though so out of tune it is unusable!
It’s located at the corner of Clinton and Union Streets. The recital, as always, is free, and open to the public, so come early to guarantee a seat and to help me set up the room! I appreciate your help in putting away the chairs afterwards as well.
So we continue our tour of the Brooklyn Public Library spaces as weekend hours have been cut at Pacific Library and Park Slope is still under renovation for another year! Please support your/our public library!
The Fall semester is fast coming to an end with the last lesson on Saturday November 20, 2010. We’ll have a break for Thanksgiving with the new Winter session starting Tuesday November 30, 2010 and running until Saturday February 19, 2010.
The cost for the new semester is $550 with an early bird discount of $50 if paid before November 15, 2010.
There will be no lessons the week of
* December 24 – January 2 – Winter Holiday Recess
If you are not currently studying with me, space is extremely limited, but you may register on the waiting list here.
Last Saturday’s Spring Recital was a great success and I am so proud of all of my students!
Performing in public is a skill that only a small minority of people in this world have developed a comfort and ability with. It is such a huge accomplishment even to get up onstage and then to perform a piece that they’ve worked hard on for months. You as parents should be happy and proud of this achievement and I hope you celebrated this milestone in your child’s life. Whatever small mistakes they made in the performance were greatly outweighed by the entire experience of publicly performing.
Many of my students have been forgetting some of the basics around technique. Here’s a handy chart that you can post by the piano or on the first page of your music notebook. Probably the most important one I’m finding is sitting the proper distance away from the piano. Many kids like to sit almost with their bellies touching the piano. This makes it so much harder for their fingers to be in the right shape to play well. You should be sitting so that your forearms are about level with the floor, elbows bent and shoulders not hunched or lifted.
Curling the fingers can take some time to remember for the youngest students. I usually tolerate the flat-fingers for a while until they get a few pieces memorized.